CHICAGO (AP) — An 87-year-old grandmother took on billionaire Donald Trump. And on Thursday — she lost.

Jurors sided with the real estate mogul-turned-TV showman in a weeklong civil trial focused on Jacqueline Goldberg‘s claim that Trump cheated her in a condo bait-and-switch scheme.

The federal jury in Chicago returned with a finding in Trump’s favor. Goldberg, of Evanston, had sought various damages totaling around $6 million.

Goldberg herself showed little emotion but her attorney, Shelly Kulwin, slumped over and buried his head on a courtroom table. Trump’s attorney Stephen Novack smiled and nodded his head in gratitude at the jury.

The case pitted the suburban Chicago woman against a New Yorker who revels in his image as a big talker with big ideas. Many know him best for his catchphrase on his “Apprentice” TV show: “You’re fired!”

In sarcasm-filled closings, Kulwin described Trump in stark, extreme terms — as villainous and greedy. Trump wasn’t in court, but Kulwin displayed a giant photograph of Trump.

“The thought of my grandma being in the same room with that guy. Yuck!” Kulwin boomed.

The dispute centered on the glitzy Trump International Hotel & Tower in Chicago, one of several showcase towers Trump has named after himself elsewhere, including New York, Las Vegas and Hawaii.

Goldberg accused Trump of wooing her into buying two condos at $1 million apiece in the mid-2000s by dangling a promise of share in building profits — then reneging on the promise after she committed to buying.

At trial, Novack grappled with the portrayal of Goldberg as a former waitress and hat-check girl who learned her values living through the Depression and working her way through college.

He told jurors in his closing he also loved grandmothers, saying, “I happen to be married to one.”

But, he added, Goldberg was also a sophisticated, detail-oriented investor who signed a contract stipulating Trump could do what he did: cancel the profit-sharing plan anytime he saw fit.

An often-scowling Trump spent two days testifying himself, bragging about the quality of his developments, verbally sparring with an opposing attorney and drawing rebukes from the judge.

On the stand, Trump denied he ever cheated anyone. Off it, he blasted the woman who brought him there, telling reporters he was the victim, not her. He declared, “She’s trying to rip me off.”

Goldberg isn’t the first to complain about a Trump development.

Dozens of investors in the Las Vegas’ five-year-old Trump International Hotel & Tower sued Trump, alleging he manufactured “a purchasing frenzy” to get them to buy in before the property market collapsed.

An arbiter, though, sided with Trump in 2011, and U.S. District Judge Gloria M. Navarro in Las Vegas later refused the disgruntled investors’ request to nullify the arbitration finding.

When Goldberg took the stand herself after Trump, she told jurors she initially had qualms about suing such an influential figure. But she added, “Somebody had to stand up to him.”

Goldberg told jurors it was Trump’s very star power that initially drew her toward investing with him. But it was the profit-sharing proposal that, for her, sealed the deal, she said.

During his testimony, Trump kept talking over Kulwin while Kulwin kept rolling his eyes at Trump’s answers, prompting Judge Amy St. Eve to order both men to “stop boxing each other” and behave.

Trump’s testimony offered a rare inside look at the business style of the 66-year-old who scrutinizes the competence of contestants carrying out management tasks on his TV show.

He told jurors that he signed every business check in his organization. He also said he couldn’t remember when key business decisions were made because he and his top executives aren’t in the habit of taking notes.

City pride also intervened at one point in closings when Kulwin made an unfavorable reference to executives in New York.

“Judge, he’s mocking New York,” Trump’s attorney said, standing to object.

“I can’t mock New York?” Kulwin shot back. “I thought it was every Chicagoans right to do that.”

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Follow Michael Tarm at http://www.twitter.com/mtarm .

HACKENSACK, N.J. (AP) — Mary J. Blige and her husband have been hit with a $3.4 million tax lien in New Jersey.

Court documents show the Internal Revenue Service filed a notice of a lien on the nine-time Grammy Award winner Feb. 7. That was two days before the Queen of Hip-Hop Soul was honored at a pre-Grammy party in Los Angeles.

Blige and husband Martin Isaacs have a home in Cresskill, N.J., about 15 miles north of New York City.

Court documents show as of the date of the IRS notice Blige owed more than $574,000 for the 2009 tax year, more than $2.2 million for 2010 and more than $647,000 for 2011.

A Blige representative said Thursday she’s working “with her new team to resolve all these issues as quickly as possible.”

CANNES, France (AP) — Ladies? Don’t make him laugh.

Asked who his favorite female comics were Thursday at a Cannes Film Festival press conference, Jerry Lewis listed Cary Grant and Burt Reynolds. He then added: “I don’t have any.”

In 1998, Lewis famously said that watching women do comedy “sets me back a bit” and that he has trouble with the notion of would-be mothers as comedians.

Asked Thursday if he had changed his mind at all because of performers like Melissa McCarthy and Sarah Silverman, the 87-year-old Lewis said of women performing broad comedy: “I can’t see women doing that. It bothers me.”

“I cannot sit and watch a lady diminish her qualities to the lowest common denominator,” he said. “I just can’t do that.”

Lewis was in Cannes for the premiere of “Max Rose,” a drama directed by Daniel Noah in which Lewis stars as an aging jazz musician.

In her 2011 memoir, “Bossypants,” Tina Fey alluded to Lewis’ attitudes about female comedians: “Whenever someone says to me, ‘Jerry Lewis says women aren’t funny,’ or ‘Christopher Hitchens says women aren’t funny,’ … Do you have anything to say to that?’

“Yes,” writes Fey. “We don’t f—— care if you like it.”

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Follow AP Entertainment Writer Jake Coyle on Twitter at: http://twitter.com/jake_coyle

CANNES, France (AP) — One of the more buzzed-about films at the Cannes Film Festival, “Omar,” is set in the West Bank, and the Palestinian conflict is a key part of the plot.

But the film’s lead actor, Adam Bakri, says the location or political motif isn’t that important.

“The fact is that it is an international story, it happens in the West Bank but it doesn’t even say in the film that it happens in the West Bank,” he explained.

“So everybody can identify with it. Everybody can really go with it. I think it has a very strong political message but it is underneath, it is not straightforward, which I think is the genius of the film.”

“Omar,” which is being show in the “A Certain Regard” section of Cannes, is directed by Hany Abu-Assad, director of the 2005 film “Paradise Now,” which won earned him an Oscar nomination and a Golden Globe for best foreign film.

In his latest film, the Israeli-born director of Palestinian descent uses the political upheaval between Palestinians and Israel as the backdrop to a love story between characters Omar and Nadia. Omar must climb the separation wall between the Palestinian territories and Israel to see his love, and during one attempt, he is brutally attacked by an Israeli soldier. Afterward, he and his friends band together to kill an Israeli soldier in revenge, and the plot takes more twists.

Despite the political threads in the film, Abu-Assad said the film’s romantic plot is the key component.

“I don’t know anybody in this world who didn’t enter the experience of being madly in love with someone. Me too. And I am always fascinated by how people lose themselves in this subject and how they become insecure. Actual insecurity is the reason why people are in love, but also why this love ends up very badly,” he said.

“All love stories in history end up tragic, ‘Romeo and Juliet,’ ‘Othello,’ but also like in our modern history, ‘Casablanca,’ even the ‘Titanic’ you know, it is a tragic ending. ‘In the Mood for Love,’ that is a great love story,” Abu-Assad continued. “All of these examples gave me the inspiration to do something about my version of love and betrayal but involved in a political thriller because I love political thrillers. These two genres I tried to mix in a way that could become an exceptional movie.”

American-born actor Waleed F. Zuaiter is among the actors in “Omar” and also helped Abu-Assad get financing for the film. Abu-Assad has said it is the first film to be completely financed by Palestinians.

“I jumped into it head first, asked as many questions as I possibly could to learn things on the producer’s side, and here we are,” Zuaiter said.

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Follow Sian Watson at http://www.twitter.com/nekeamumbi

NEW YORK (AP) — The world premiere of Ethan Coen‘s first full-length stage play, a revival of “The Threepenny Opera” and a new play by Stephen Adly Guirgis will highlight the Atlantic Theater Company‘s upcoming season.

The company unveiled its slate of 2013-14 offerings Thursday, which also includes a stage adaptation of Alan Sillitoe‘s beloved short story “The Loneliness of the Long Distance Runner” adapted by British playwright Roy Williams.

Coen, half of the prolific filmmaking Coen brothers, offers his “Women or Nothing,” about two women desperate to have a child. It will be directed by David Cromer and begin performances Aug. 28.

The Atlantic also produced Coen’s “Happy Hour,” a collection of three short dark comedies. He also wrote one-third of “Relatively Speaking,” three one-acts on Broadway in 2011 that also included works by Woody Allen and Elaine May.

The revival of the Bertolt Brecht-Kurt Weill masterpiece “The Threepenny Opera” will be directed by Martha Clarke, an innovative choreographer and director whose best-known original work is “The Garden of Earthly Delights.” It will be produced next spring.

The Atlantic’s season will close next June with the world premiere of Guirgis’ “Between Riverside and Crazy…,” the story of a family’s struggle to hold onto a rent stabilized apartment. The playwright rocketed to fame with the Tony-nominated “The Motherf—– With the Hat” starring Chris Rock and Bobby Cannavale.

Two final productions and casting for all the shows will be announced shortly.

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Online: http://www.atlantictheater.org